What Architecture Is All About

Peter Cresswell's picture
Submitted by Peter Cresswell on Fri, 2006-09-08 23:09

Now we're at the halfway point of our architectural debate over at my main blog 'Not PC,' here's a brief meditation on what architecture is all about. In five words or less: giving meaning to our lives. To quote the late Claude Megson, "If it doesn't have meaning, then you're just wanking."

Read on now for the thousand-word meditation...
*** WHEN HILLARY AND TENZING reached the top of Everest for the first time, the story goes that Tenzing fell to his knees and gave thanks to the spirits that had helped their journey; he prayed to each of the four winds, and he carefully placed in the ground a small stake on which prayer ribbons were attached. While he was doing this, Hillary stuck a flag in the ground, unzipped his fly and took a piss.

We each mark our territory in very different ways. But we do each mark our territory.

We make buildings to keep the rain off, and in doing so we raise a crown over our head and mark out from the world our own space below; we mark out for ourselves a place in the world by building a campfire that we keep burning and around which we make comfortable for ourselves, or by raising high our own totem that seems to say “here I am!”; we recognise the important rituals we’ve built into our own lives by making these rituals concrete, literally making them concrete, and by doing so we are saying, “This is important.” We erect buildings to perform some useful function, and in the act of erecting them they unavoidably perform another crucial useful or symbolic function for us: they embody our values. They tell us we exist.

Buildings are a concrete expression of values – the values of the people who designed, erected and occupy them.

Like every art, architecture is a shortcut to our philosophy. In building architecture we erect an armature that will support ourselves and our important values, and offer us as well a place from which to look out on the world around us. Amongst the myriad of ways this can be done , we choose the one that does it for us. It is a shortcut to our philosophy – which is why our choices are often so personal to us. The way it does that is as an extension of ourselves.

“Architecture,” as Aldo van Eyck once said, “is about making a ‘home for man’.” The space we build is space for human life, for us to inhabit, and from which we can emerge to 'do battle.' It is a place that expresses what a home for man looks like, smells like and sprawls like; it is here that we beging to find the meaning in architecture: the meaning resides in how it makes its home for man.

In the act of making and placing our buildings in the world, we make decisions about what’s important in the world. What values need to be 'built in' and made concrete. What should we include from around us? What should we keep out? Early morning sun is good; later afternoon sun isn’t. Gentle breezes are good inside the house; heavy rain is not; views of the lake and the trees and the beautiful hills about us are wonderful – views of the local slaughterhouse are not.

Some of these things are highly contextual. Early morning sun is good in Reykjavik, but not always in Dubai in mid-summer. Later afternoon sun is bad in most parts of the world, but in Murmansk, inside the Arctic Circle, “late afternoon” extends for several months, and is always a welcome guest. Gentle breezes in Hawaii are welcome; in Siberia they’re called a draught. A view of the local slaughterhouse from your lounge window might be highly prized if you’re … okay, I’m stretching on this last one.

The fact remains nonetheless that the choices we make about how we build our shelter, mark our place and decide what functions our building serves for us define something both about us, and about the place we make -- and about the context in which we make it.

WE NEED TO BUILD. Animals adapt themselves to nature, and they’re already adapted to do that. Humans can’t. We adapt nature to ourselves. We must. Unlike animals with their multiple defences against the world, our means of survival is our reasoning brain: on its own this offers no physical defence against predation, and no guarantee of survival: we learn to use our brain to plan, to invent, to create; to understand the nature of the world around us and to make sense of it and to adapt it to ourselves, to make of it a place in which we are protected, and in which we can feel ourselves at home.

We need buildings to shelter us, and not just in the physical sense of shelter. We need a place that is a home: our place, wherein we see ourselves and our own values reflected back, including the value of the home itself.

Good architecture then is not just functional on the bare physical plane. We've been out of the caves long enough to do much better than that. “A house is a machine for living,” declared Le Corbusier on behalf of today's cave dwellers. “But only if the heart is a suction pump,’ responded Frank Lloyd Wright. Architecture is not just shelter; it is not just ‘marking a spot’: its function is also to delight.

Bread and water nourish our stomachs; we need also to nourish our souls. Thirteenth-century Persian poet Muslih-uddin Saadi Shirazi offered this wisdom:

If of thy mortal goods thou art bereft
And from thy slender store
Two loaves alone to thee are left
Sell one, and with the dole
Buy hyacinths to feed the soul.

But only if your heart is not a suction pump.

What good architecture does then is to deal with the totality of a human existence, to provide at one level the support structure to make human life possible, and at another much richer level to express back to us what it means to be human by giving a sense of place to all our occasions, by building in all our important rituals, by connecting us to what is meaningful in our lives: To sunrises and sunsets; to the sharing of food together; to relaxing with friends; to having time and space for contemplation and for conversation, and for rest, and for sex -- and for rest and contemplation (and conversation) after (and during) sex.

That’s about as important as a job gets, right?

Writing about Ferraris, PJ O’Rourke expressed it this way: “Only God can make a tree, but only man can drive by one at 250mph.” THAT is the feeling good architecture should communicate! We take the material that nature provides, and the needs that we have, and those moments where we say to ourselves, “Ah, this is what being alive is all about!” and we give those needs wings and we build in and celebrate those moments, and by doing so we express our lives, and we help bring meaning to them.

What could be more important?

* * * * *

*** You can look forward to more on the architecture debate at 'Not PC' on Monday, when I'll post the third of my own architectural favourites. In the meantime, if it's thinking about architecture that you want to do more deeply, may I humbly offer a piece written a few years back as a book review: 'What Architecture Is.'

It begins by boldly declaring what architecture is not ...

*** And if you're already emboldened to read much more about architecture than this humble blogger can provide, here's a suggested reading list on architecture to help you begin your own architecture library. Enjoy the adventure.

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Peter Cresswell's picture

Thanks Jennifer and Tom. I'd just boiled down my 15,000 word treatise into 1,000 heartfelt words, and felt I "needed to share." Good to see it was appreciated, even if it was ripped from the front page before its time. Not that I'm sulking, you understand. Not at all. ;^)

Good points there too, Sandi.

Cheers, Peter Cresswell

* * * *

**Setting Brushfires In People's Minds**

**Integrating Architecture With Your Site**


TRowland's picture

This is among the most beautiful evocations of Architecture as art that I have ever read. Thank you, too, for the leads to further reading.

There are those who deny that architecture is art. Bring them on!

Standing ovation.

Prima Donna's picture

What a wonderfully expressed meditation. It captures everything I've ever held dear about building *my* house one day -- not a cookie-cutter McMansion like the ilk I see all around me, but a home that distinctively says "this is mine." Peter, I thoroughly enjoyed reading this. Thank you for posting it.


-- Food Philosophy. Sensuality. Sass.

Okay - putting more thought into this

Sandi's picture

Okay, I take your point and will consider a few places I been to.
Ironically, Dubai would be one of the best examples of concentrated modern architecture that I have seen, not ignoring France which has some radical designs, (one in particular that made an impression on me had the piping/plumbing on the exterior of the building), Estonia (old city) is one of my favourites, St Petersburg is magnificent if you can bring yourself to look beyond the delapidation which has been inadequately painted over, Rome is breathtaking, Valletta harbour is absolutely beautiful and Berlin has a splendid combination of old and new. One of the most impressive has got to be Florence, but that isn't detracting from how gobsmacked I was when I first visited Dubabi.

I have not visited Vegas as yet, it has not been high in the list of places I want to see, but no doubt I will get there one day.

Don't just imagine it,

Peter Cresswell's picture

Don't just imagine it, Sandy. You can see the results in the great cities all round the world. And you can go see it in action even now in, ahem, Pahrump, just outside Las Vegas. Where else.

It looks very inviting from the vantage point of Google Earth. ;^)

Cheers, Peter Cresswell

* * * *

**Setting Brushfires In People's Minds**

**Integrating Architecture With Your Site**

Imagine the amazing results

Sandi's picture

Imagine the amazing results where achitects are given the freedom to build independently of local government and city councils.

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